Tuesday, 1 September 2026

“An Epic Milky Way Summer: 16 Nights, 2000 Photos & a New Star Tracker Under South West Skies”

“A summer of Milky Way photography across Devon, Dorset & Cornwall. New MSM Nomad tracker, coastal night shoots, lessons learned and plenty of biscuits.”


My Epic Milky Way Summer: Ten Nights, nearly 1000 photos, and, frankly, an alarming number of biscuits

Hello everyone - hope you’re all doing well. 

Some of you have noticed I’ve been MIA for a few weeks. Sorry about that. 

In my defence, I’ve been busy astrophotographing. Is that a word? Probably not, but let’s pretend it is.

This summer turned into a full‑blown Milky Way marathon: ten nights in July, six in August, and a couple more planned for September. What started as a vague idea on the cliffs at Durdle Door back in May/June somehow evolved into a personal “epic astro summer session”. Sitting above that iconic arch, watching the Milky Way lift itself over the horizon like a celestial curtain call, I realised how lucky I am to live within two hours of some of the most dramatic coastlines in the UK. And so, the plan was born:

Photograph the Milky Way across four no‑moon windows in June, July, August, and September 2026.

A New Tracker, A New Adventure

Part of the motivation came from the arrival of my new MSM Nomad Star Tracker - a tiny device that has completely changed the way I shoot. Compared to my old Star Adventurer 2i, the Nomad is like swapping an old pedal bike for an electric one. I can now arrive at a location, set up in six minutes, capture tracked sky frames and separate landscape foregrounds, and be heading to the next spot within half an hour.

It’s transformed my time management and opened up multiple‑location nights I simply couldn’t attempt before. I posted my first‑impressions review here:

https://undersouthwestskies.blogspot.com/2026/08/the-move-shoot-move-nomad-star-tracker.html

I’ll update that review soon with everything I’ve learned during this astro‑summer.


Why These Wild Places Matter

My time on the cliffs at Durdle Door also nudged me into thinking more deeply about why these rugged coastlines feel so good for the soul. What is it about standing alone under a sugar‑sprinkled sky, listening to the wind and waves, that feels grounding and restorative? And why do I keep gravitating toward National Trust locations?

I’ll share those reflections in a future post - it deserves its own space.

But in the meantime .......

Where I’ve Been: A Summer Under South West Skies

Devon

  • Wembury Beach & Mill CafĂ© House — National Trust
  • Wembury Point & Heybrook Bay — National Trust
  • Dartmouth Daymark
  • Bigbury‑on‑Sea & Burgh Island
  • Soar Mill Lookout Station — National Trust
  • Bolberry Down — National Trust

Dorset

  • Durdle Door

Cornwall

  • Mullion Cove — National Trust
  • Cape Cornwall & Priest Cove — National Trust
  • Lizard Point — National Trust
  • Kynance Cove — National Trust
  • Botallack Mines — National Trust
  • Goonhilly Earth Station

The Aims (Nothing Too Grand or Philosophical)

Every adventure needs a rationale - even the small ones. Mine were simple:

  • Capture one well‑composed, well‑edited Milky Way landscape image with a clear focal foreground. Tracked, stacked, blended  - the usual astro‑parlance.
  • Get properly familiar with the quirks and benefits of the MSM Nomad tracker.
  • Improve my understanding of the ISO/aperture/shutter speed relationship for both sky and foreground, especially during blue hour.
  • Explore and articulate why being out under the stars feels so deeply restorative.

The Numbers Behind the Nights

  • 1000+ photographs
  • 40+ hours under silky‑smooth, sugar‑sprinkled, black‑velvet skies
  • Countless miles driven
  • Countless cups of tea brewed
  • Biscuits consumed in quantities that probably require a medical disclaimer

I’ve genuinely improved my landscape composition (not hard, given my starting point). I’m learning how many frames to take, how to read a histogram without squinting like its hieroglyphics, and how ISO can be used more creatively.

I’ve also changed how I process Milky Way skies and landscapes - experimenting with Sequator, SIRIL, and Affinity Photo, mixing things up to see what emerges. Some results have been surprisingly good; others… well, let’s call them “learning opportunities”.

Over the next month or two, I’ll share everything - the wins, the mistakes, the workflow tweaks, and the inevitable misadventures. I’ll also update my Milky Way processing workflow pages.


A Little Taster

Here are two images from this summer. I hope you’ll agree they show real progress in my understanding of what makes a quality Milky Way landscape image.

"Reflecting on my place in the cosmos"
Taken at Wembury Point, South Devon
Equipment: astromodded Canon 800D with Samyang 14mm F/2 lens on a Move Shoot Move Nomad Star Tracker attached to a William Optics equatorial wedge on a Benbo Mach 3 Carbon Fibre Tripod
The photo is a tracked stacked blend comprising:
foreground shot at F/4.5  Iso 200 and 90" shutter speed with light painting for 5" towards end
sky: F/2.8 Iso 1600 @90" x 12
Stacked in Affinity photo, edited in Siril, finished in affinity photo 

"Just after sunset"
Taken at Wheal Owles, Botallack, far west Cornwall - tin mining country
Equipment: astromodded Canon 800D with Samyang 14mm F/2 lens on a Move Shoot Move Nomad Star Tracker attached to a William Optics equatorial wedge on a Benbo Mach 3 Carbon Fibre Tripod
The photo is a tracked stacked blend comprising:
foreground shot at F/4.5  Iso 200 and 60" shutter speed with light painting for 5" towards end
sky: F/2.8 Iso 3200 60" x 16
Stacked in Affinity photo, edited in Siril, finished in affinity photo 


I am genuinely proud of both these images - they demonstrate huge progress in my understanding of the ISO-shutter-aperture relationship, improved compositional skills and my first proper attempts at light painting. They are still works in progress and no doubt I will come back to them during the winter months and try and improve them some more. They do show that finally, and yes folks I know, its been some time coming, buit yes, finally, I am beginning to understand how to use layers and masks in Affinity! 


And Finally … I Joined Instagram

Yes, really. I am no longer a luddite. I’m catching up with Generation Z - slowly, cautiously, and with the digital equivalent of stabilisers.

You can find me at:

#plymouthastroboy

If you feel like it, drop me a like, or better still, a constructive comment.


Until Next Time ....... 

Clear skies, stay safe, and never forget to look up - and sideways - to appreciate both the celestial heavens and the magnificent landscape you’re standing in.

Catch up soon, 

Steve 

aka

#Plymouthastroboy