Friday, 8 August 2025

A beginner's guide to post editing your first milky way photograph

 If you are interested in learning how to take a milky way photograph then just use the search box on this blog - type in 'milky way' and all the posts should materialise. 

In this blog post I am going to share how I post edit my milky way photographs after stacking them. I tend to take multiple shots and then stack them. I do foreground shots separately, process them and then blend the two together. It is a dark art and I rarely get it right but slowly I am making progress. Some days! 

This is a tracked, stacked composite photo
a separate sky blended with a separate foreground shot, both from the same location
sky details: 60" x 15 tracked at ISO 3200 F/2.8
foreground: blue hour ISO 800 15"
Sky stacked in Sequator and processed in SIRIL, GraXpert and Affinity Photo 


So, after stacking my milky way lights in either SIRIL, Affinity Photo or Sequator, what do I then do to them?  Well, this post is all about the sky/milky way bit only. I am aiming to get detail in the stars; detail in the milky way; a natural look to the sky with minimal noise and artifacting. 


Here are my steps to post editing the sky/milky way element: 

  1. a 'global' edit in 'Develop' persona in Affinity photo - what other programs may call camera RAW
  • White balance - cool look between 3500K and 4500K
  • slight increase to exposure if the sky/milky way look underexposed - but I try to avoid blowing out the stars
  • adding some contrast to separate out the milky way (MW) from the background sky
  • raising the shadows slightly to reveal the MW details 
  • lower the highlights slider a little to recover bright stars
  • add a moderate amount of clarity and/or texture to enhance details and recover detail in the dust lanes
  • some initial noise reduction - some modest luminance early on. 
Exactly same data collected but processed slightly differently 


Having made these global edits - I now duplicate the layer in the layer stack and do subsequent work on this

2.  next some curves and levels adjustments
  •  firstly, pulling up the mid tones
  • adding a little more contrast by adjusting dark and light ends of the histogram curve - applying a series of very small shallow S curve adjustments 
  • some level adjustments to clip unwanted black levels and to brighten image overall
  • playing about with midtones and shadows to darken the background sky without affecting the MW - using selections and masks
3. Enhancing the milky way detail using selections and masks 
  • applying some local contrast adjustments on the duplicate layer - using high pass or unsharp filters
  • applying some dehazing and clarity to selected areas to enhance detail
  • some selective masking to enhance particular adjustments such as boosting contrast further
  • colour balance and hue work - to make the core pop
  • saturation masks to control colour boosting in selected areas of the MW
stacked in sequator - but even with ground 'frozen' mode - the foreground is still out of kilter


4. Noise reduction and star control work
  • I may save the image as a Tiff at this point an put it into GraXpert for background work and denoising before bringing it back into affinity photo for further work
  • I may well also put it into SIRIL and do starnet separation work to get a starless image and a starmask image. I will work on this latter image to reduce star size, intensity and frequency before doing a star recomposition. This then gives me an image where the milky way isn't overpowered by surrounding stars
5. some colour grading work
  • using gradient maps or selective colour to add subtle purple, blue and magenta hues to the milky way area (this is one area I just don't understand and haven't yet got right) 
6.  some final touches 
  • cropping
  • removing any distractions e.g. trails
  • sharpening the MW core a little more using masks

It all sounds so easy doesn't it. Well this is my workflow order. Of course where I fall down is understanding how to do masks and selections; how to use opacity and different blend modes. It's the practical tools manipulation bit in affinity photo which is proving my downfall! 

Very frustrating I must say.